For reasons that will become apparent I was pondering after this gig; what is it exactly that makes a gig great? My own personal answer is that a great gig must move me in some way emotionally, whether that be solely due to the performer or in part due to the company I’m in. It must involve a performance of skill and passion and the sound quality must be excellent and lighting appropriate and evocative. The audience must be involved and enthusiastic and ideally the supporting artists must be worthy of their place on the bill.
I’d seen Editors on three previous occasions and each time was impressed without being particularly ‘blown away.’ Tonight I was in the company of someone very special to me so the night was off to a good start. The excellent British Sea Power supplied the support and although their set was mildly disappointing in that it seemingly lacked commitment early on, by the time the trademark bears had entered the arena and the band played their final two songs, the scene had been nicely set for the main act. A rather thin crowd had swelled nicely too and there was an expectant air.
From the opening song Editors set about their business with utter professionalism and total effort. Lead singer Tom Smith displayed his usual brand of earnest and contorted energy but without it ever seeming contrived. The band were equally involved and good to watch. The sound quality was as good as I’ve heard at O2 Academy, Newcastle and the lighting was expertly matched to the mood of each song. Emotional response tick box ticked.
On the last occasion I saw Editors at the O2 they were touring in support of their ‘acquired taste’ album (I’m not a huge fan of it) “In This Light And On This Evening” - circa 2010. That night it was noticeable that new electronic based songs (Papillon aside) were greeted with polite indifference whilst old classics like “Munich” and “All Sparks” were welcomed like conquering guitar heroes. Tonight was different. With their latest album “ The Weight Of Your Love” providing a fine bridge between the spiky guitar anthems of the earlier albums and the last album’s more 80’s synch pop sound, the set was far better balanced and not once did the crowd’s interest sag.
The set lasted 1 hour 40 minutes in fact and was perfectly ordered and executed with a level of skill and enthusiasm that was deservedly rewarded in the participation and response of the crowd. Highlights for me were “Bullets”, “A Ton Of love” and closer “Papillon.”
So, a great gig and one of my personal live music highlights of 2013.
I’d seen Editors on three previous occasions and each time was impressed without being particularly ‘blown away.’ Tonight I was in the company of someone very special to me so the night was off to a good start. The excellent British Sea Power supplied the support and although their set was mildly disappointing in that it seemingly lacked commitment early on, by the time the trademark bears had entered the arena and the band played their final two songs, the scene had been nicely set for the main act. A rather thin crowd had swelled nicely too and there was an expectant air.
From the opening song Editors set about their business with utter professionalism and total effort. Lead singer Tom Smith displayed his usual brand of earnest and contorted energy but without it ever seeming contrived. The band were equally involved and good to watch. The sound quality was as good as I’ve heard at O2 Academy, Newcastle and the lighting was expertly matched to the mood of each song. Emotional response tick box ticked.
On the last occasion I saw Editors at the O2 they were touring in support of their ‘acquired taste’ album (I’m not a huge fan of it) “In This Light And On This Evening” - circa 2010. That night it was noticeable that new electronic based songs (Papillon aside) were greeted with polite indifference whilst old classics like “Munich” and “All Sparks” were welcomed like conquering guitar heroes. Tonight was different. With their latest album “ The Weight Of Your Love” providing a fine bridge between the spiky guitar anthems of the earlier albums and the last album’s more 80’s synch pop sound, the set was far better balanced and not once did the crowd’s interest sag.
The set lasted 1 hour 40 minutes in fact and was perfectly ordered and executed with a level of skill and enthusiasm that was deservedly rewarded in the participation and response of the crowd. Highlights for me were “Bullets”, “A Ton Of love” and closer “Papillon.”
So, a great gig and one of my personal live music highlights of 2013.
Words: Russell Poad
Photo: Daniel Robson